Course detail

FFA Crits 5

FaVU-1KSPVF-5Acad. year: 2024/2025

Within the framework of this course, students may consult with any teachers at FaVU, except for the heads of the studios where they are studying, on condition of mutual consent. The course thus encourages students to seek feedback from other faculty members in addition to regular consultations of their semester work in the studio. A fresh perspective coming from a different disciplinary background or unencumbered by long-term collaboration can represent a significant impulse, which can pull the student out of a possible dead end, move them towards new and unambiguous solutions or, on the contrary, confirm the meaningfulness of continuing with the existing method of work. Regular confrontation with teachers from other studios, cabinets or departments of theory and history of art can thus prevent the danger of getting stuck in proven methods or trends preferred in the student’s home studio.  

Language of instruction

Czech

Number of ECTS credits

1

Mode of study

Not applicable.

Entry knowledge

None.  

Rules for evaluation and completion of the course

Credit is awarded on the basis of completing 2 consultations of the term paper with one or more tutors.  
Consultations at the FaVU at a place and time determined by individual agreement between the student and the teacher. All teachers in the course will set consultation hours and offer students a table of times for ease of registration. Completion of a minimum of 2 tutorials is mandatory.  

Aims

The aim of the course is to enable students to consult their artistic work with a wider range of FaVU teachers and thus to get additional feedback as an alternative to studio sessions.  
By completing the course, students will receive alternative feedback on their artistic work, verify the persuasiveness of the chosen solutions, and receive suggestions for further artistic development.  

Study aids

Not applicable.

Prerequisites and corequisites

Not applicable.

Basic literature

Hal FOSTER – Rosalind KRAUSSOVÁ – Yve-Alain BOIS – Benjamin H. D. BUCHLOH, Umění po roce 1900. Modernismus, antimodernismus, postmodernismus, Praha: Slovart 2007
Helena BENDOVÁ – Matěj STRNAD (eds.), Společenské vědy a audiovize, Praha: NAMU 2014.
Paulo FREIRE, Pedagogika utlačovaných, Praha: Neklid 2022

Recommended reading

Richard BUCKMINSTER FULLER, O vzdělání, Praha: MOX NOX 1999
Konrad Paul LIESSMANN, Vzdělání jako provokace, Praha: Academia 2018
Magdaléna ADÁMKOVÁ-TURZOVÁ – Petra FILIPOVÁ, Učit umění. Učitel a žák v labyrintu současného umění, Olomouc: Univerzita Palackého v Olomouci 2015
Jan SVENUNGSSON, Umelec a písanie, Bratislava: Slovart – VŠVU 2013
Jacques AUMONT, Obraz, Praha: Akademie múzických umění 2010
Institut úzkosti. 2021. Kvíření jazyka českého: O užívání genderově inkluzivního jazyka v institucích a organizacích. http://www.institutuzkosti.cz/events/kvireni-jazyka-ceskeho-videozaznam-online-diskuse?src=cz
Nelson GOODMAN, Jazyky umění. Praha: Academia, 2007.
Jiří PLAMÍNEK, Komunikace a prezentace: umění mluvit, slyšet a rozumět, Praha: Grada 2008
John BERGER, Způsoby vidění, Praha: Labyrint 2016

Classification of course in study plans

  • Programme VUM_B Bachelor's, 3. year of study, summer semester, compulsory
    , 3. year of study, summer semester, compulsory
    , 3. year of study, summer semester, compulsory
    , 3. year of study, summer semester, compulsory
    , 3. year of study, summer semester, compulsory
    , 3. year of study, summer semester, compulsory
    , 3. year of study, summer semester, compulsory
    , 3. year of study, summer semester, compulsory
    , 3. year of study, summer semester, compulsory
    , 3. year of study, summer semester, compulsory
    , 3. year of study, summer semester, compulsory
    , 3. year of study, summer semester, compulsory

Type of course unit

 

Guided consultation

4 hours, compulsory

Teacher / Lecturer

Syllabus

The course and topics of collaboration between teacher* and learner* will be governed by the specific nature of the writing project being consulted.