Czech

3

Not applicable.

The course theoretically and historically supplements the studies of action art in the area of media and interactive creation.

Without.

Not applicable.

Teaching methods depend on the type of course unit as specified in the article 7 of BUT Rules for Studies and Examinations..

Course-unit credit.
The prerequisite for the credit is the accomplishment of assigned tasks in the form of a paper.

KOMUNIKACE A KONTEXT - svět umění / umělecký svět


1. Zákon & cenzura: Genpei AKASEGAWA, STURTEVANT, Gustav METZGER -
DESTRUCTION IN ART SYMPOSIUM (Mark BOYLE & Joan HILLS, John LATHAM)
2. Feminismus: GUERILLA GIRLS etc. (Judy CHICAGO, Susan HILLER, Suzane
LACY, Linda MONTANO, Ann MAGNUSSON, Karen FINLEY, Adrian PIPER, Janine
ANTONI, Jana STERBAK, Cheryl DONEGAN, Sigalit LANDAU, Patty CHANG)
3. Politika & sociální interakce: BLACK MASK, GUERILLA ART ACTION GROUP /
Stuart BRISLEY, Hans HAACKE, Krzystof WODICZKO
4. ANTI-ART Japan: HI-RED CENTER, NEO DADA, Yukio MISHIMA
Aktivismus & Postkoncept: ANT FARM, GENERAL IDEA, RTMARK & YES MEN
5. Hacking: CRITICAL ART ENSAMBLE, Brian SPRINGER, Geert LOVINK
Art & Science: THE ART CATALYSTS, Heath BUNTING, Rod DICKINSON
6. EKO & BIO ART: Helen MEYER & Newton HARRISON, Alan SONFIST,
GREEN PEACE, Mel CHIN, Peter FEND, Eduardo KAC, Oron CATTS


KOMPLEXNÍ SYSTÉMY - politika, ekologie, spiritualita / životní styl


1. Futurismus - MARINETTI, Avantgarda - MALEVICH, Surrealismus - DALÍ,
Bauhaus - SCHLEMMER
2. Marcel DUCHAMP / STURTEVANT - DADA / ANTI ART
3. Rudolf STEINER / Joseph BEUYS - Antroposofie / FREE INTERNATIONAL UNIVERSITY
4. FLUXUS:
MACIUNAS, HIGGINS, BRECHT, WILLIAMS, VOSTELL, FILLIOU, HANSEN, BEN
(+ Milan KNÍŽÁK)
5. BLACK MARKET:
Norbert KLASSEN, Jacques VAN POPPEL, Nigel ROLFE, Roi VAARA,
Zbygniew WARPECHOWSKI
6. ASA, OPEN SITUATIONS, GROUNDWORKS
Boris NIESLONY, Alastair MAC LENNAN, Zygmunt PIOTROWSKI
(+ Tomáš RULLER)

Not applicable.

To develop the abilities to combine and incorporate theoretic knowledge in the area of action art for the sake of reflection of a complex artwork. This is achieved through the cognition of interactive forms of presentation, through the cognition of media strategies of creative entry into reality.

Lessons are obligatory.

Not applicable.

Not applicable.

HANHARDT, John G. a Nam June PAIK. The worlds of Nam June Paik. New York: Guggenheim Museum (CS)
Shanken, Edward A., Art and Electronic Media. London, New York:Phaidon Press (CS)
MEREWETHER, Charles., Rika Iezumi. HIRO a Reiko. TOMII. Art, anti-art, non-art: experimentations in the public sphere in postwar Japan, 1950-1970. Los Angeles: Getty Research Institute (CS)
ALEXANDRA MUNROE. [COORGANIZED BY THE JAPAN FOUNDATION ..]. Japanese art after 1945: scream against the sky ; [exhibition tour: Yokohama Museum of Art, February 5 - March 30, 1994, Guggenheim Museum SoHo, New York September 14, 1994 - January 8, 1995, San Francisco Museum of Modern Art .. May 31 - August 27, 1995] = Sengo-Nihon-no-zen'ei-bijutsu. New York, NY: Abrams (CS)

Not applicable.

13 hours, compulsory