Czech

Not applicable.

The course theoretically and historically supplements the studies of action art in the area of media and interactive creation.

Without.

Not applicable.

Teaching methods depend on the type of course unit as specified in the article 7 of BUT Rules for Studies and Examinations..

Course-unit credit.
The prerequisite for the credit is the accomplishment of assigned tasks in the form of a paper.

The image of movement - "composition in time"

5th block: OBJECT IN MOTION (machine/robot) - MECHANIC RHYTHM

1/ physical space-time - object - code (KNOWBOTIC Research/SURVIVAL Research)
2/ movement and meaning - sign and symbol, translation and animation (Garry HILL/Bill VIOLA)
3/ the image of speech: visualisation - visual poetry (Bruce NAUMAN/Joan JONAS)
4/ the speech of music - sonic values and articulation, manipulation and multiplication - sound art (DUMB TYPE)
5/ speaking machines, artificial languages (midi), mathematic linguistics and language games, artificial intelligence and memory (VASULKA)
6/ "in-formation, per-formance, trans-formation" (VAN GOGH TV)

Not applicable.

To develop the abilities to combine and incorporate theoretic knowledge in the area of action art for the sake of reflection of a complex artwork. This is achieved through the cognition of interactive forms of presentation, through the cognition of media strategies of creative entry into reality.

Lessons are obligatory.

Not applicable.

Not applicable.

ALEXANDRA MUNROE. [COORGANIZED BY THE JAPAN FOUNDATION ..]. Japanese art after 1945: scream against the sky ; [exhibition tour: Yokohama Museum of Art, February 5 - March 30, 1994, Guggenheim Museum SoHo, New York September 14, 1994 - January 8, 1995, San Francisco Museum of Modern Art .. May 31 - August 27, 1995] = Sengo-Nihon-no-zen'ei-bijutsu. New York, NY: Abrams (CS)
HANHARDT, John G. a Nam June PAIK. The worlds of Nam June Paik. New York: Guggenheim Museum (CS)
MEREWETHER, Charles., Rika Iezumi. HIRO a Reiko. TOMII. Art, anti-art, non-art: experimentations in the public sphere in postwar Japan, 1950-1970. Los Angeles: Getty Research Institute (CS)
Shanken, Edward A., Art and Electronic Media. London, New York:Phaidon Press (CS)

Not applicable.