Course detail

Studio Follow-up I - Environment - winter

FaVU-M1EN-ZAcad. year: 2013/2014

The Environment Studio Program is intended as a creative approach to the environment; to place. It is defined in it's widest sense here – locally, institutionally, historically, or/and, geopolitically, virtually, mentally and so on. – primarily as a shared space, a context.
The substance of the studio is not bound by media traditionally associated with the fine arts. This opens up a whole range of approaches and interdisciplinary cooperation.

Language of instruction

Czech

Number of ECTS credits

18

Mode of study

Not applicable.

Learning outcomes of the course unit

Creative approach to the technologies of the studied subject and to its artistic context.

Prerequisites

Ability to set and defend the personal MA program.

Co-requisites

Not applicable.

Planned learning activities and teaching methods

Teaching methods depend on the type of course unit as specified in the article 7 of BUT Rules for Studies and Examinations..

Assesment methods and criteria linked to learning outcomes

Semester exam project.

Course curriculum

The programme of study is carried out through work on mutual and individual projects. One key part is the critical reading of literature and texts connected with the programme of the Studio and with individual work. A parallel programme maps various locally specific problems and issues relating to creative methods, media and generally with production and presentation of contemporary art. At the same time, the events of the day in a wider contemporary art and cultural context both in the Czech Republic and internationally. This is accompanied by talks and get-togethers organised by the Studio, and externally. All components are reflected upon during common and individual consultations and serve to create a critical discourse.

Work placements

Not applicable.

Aims

The Studio offers a critical space for independent-thinking and creative people. Supporting confrontation, (interdisciplinary) cooperation. It facilitates individual approaches; motivates creation and the role of the artist in society.

Specification of controlled education, way of implementation and compensation for absences

Regular consultations are mandatory.

Recommended optional programme components

Not applicable.

Prerequisites and corequisites

Not applicable.

Basic literature

BENJAMIN, W. Dílo a jeho zdroj. Praha: Odeon, 1979.
FARVER, J. (ed) Global Conceptualism. NYC: Queens Museum of Art, 1999.
[GUST] The Urban Condition: Space, Community, and Self in the Contemporary Metropolis. Rotterdam: 010 Publishers, 1999.
HAVRÁNEK, V. (ed), Akce slovo pohyb prostor (kat. výst.). Praha: Galerie hlavního města Prahy 1999.
LIPPARD, L. Six Years: The Dematerialization of the Art Object from 1966 to 1972. Berkeley: University of California Press, 1997.
MARCUS, G. Stopy rtěnky, //tajná historie dvacátého století//. Votobia, 1998.
MITCHEL W. Space, Place, and the Infobahn, City of Bits. Cambridge: The MIT Press, 1999.
MORGANOVÁ, P. Akční umění. Olomouc: Votobia, 1999.
VIDLER, A. The Architectural Uncanny, Essays in the Modern Unhomely, The MIT Press, 1992.

Recommended reading

Not applicable.

Classification of course in study plans

  • Programme Master's

    branch AEN , 1 year of study, winter semester, compulsory

Type of course unit

 

Lecture

39 hod., optionally

Teacher / Lecturer

Syllabus

Přednášku vede vedoucí ateliéru podle potřeb aktuální výuky.

Seminar

195 hod., compulsory

Teacher / Lecturer

Syllabus

Výuka probíhá podle pokynů vedoucího ateliéru a v souladu s individuálními tvůrčími kvalitami studentů.