Course detail

Studio Follow-up II - Environment - summer

FaVU-M2EN-LAcad. year: 2014/2015

The course focuses on individual students’ diploma project in contexts and media of their choice. Appropriate theoretical frameworks are applied In critical discussion. Students research related phenomena and approaches in contemporary art in the Czech Republic and abroad.

Language of instruction

Czech

Number of ECTS credits

10

Mode of study

Not applicable.

Guarantor

doc. MgA. Barbora Klímová, ArtD.

Department

Environment Studio (AEN)

Learning outcomes of the course unit

In the summer semester of the second year of master's degree, students apply their artistic experience in the diploma project. They demonstrate the ability to choose and apply apropriate media of their work. They will demonstrate their orientation in theories related to their approach and of the awareness of related artworks.

Prerequisites

Developed MA project.

Co-requisites

Not applicable.

Planned learning activities and teaching methods

Presentations, lectures, tutorials, discussions, field trips, study of literature.

Assesment methods and criteria linked to learning outcomes

Diploma project

Course curriculum

1. Dipoloma project
The studio work is continuously complemented with tutorials within the department or with external experts, with lectures, and field trips to exhibitions, and institutions in relation to the discussed problems. An integral part of the program is also study of literature and texts related to individual art works.

Work placements

Not applicable.

Aims

Dipoloma project; conscious choice and application of the media of expression; the formulation and discussion of urgent issues; orientation in contemporary cultural events in relation to history and non-artistic areas.

Specification of controlled education, way of implementation and compensation for absences

Submission of assigned projects, attendance, communicating about the overview of cultural events.

Recommended optional programme components

Not applicable.

Prerequisites and corequisites

Basic literature

ARMLEDER, J. et al., Voids A Retrospective. Paris: Centre Pompidou, 2009.
BALDRÁN, Z., HAVRÁNEK, V. (ed) Atlas Transformace. Praha: Tranzit, 2009.
BENJAMIN, W. Dílo a jeho zdroj. Praha: Odeon, 1979.
BEY, H. Dočasná autonomní zóna. Praha: Tranzit, 2004.
BISHOP, C. Artificial Hells, Participatory Art and the Politics of Spectarorship. London : Verso, 2012.
BISHOP, C. (ed) Participation. London: Whitechapel and MIT Press, 2006.
BOURRIAUD, N. Postprodukce. Praha: Tranzit, 2004.
BRADLEY, W., ESCHE, C. (ed) Art and Social Change. London: Tate Publishing, 2008.
CÍSAŘ, K. (ed.), Co je to fotografie? Praha: Herrmann & synové, 2004.
DEUTCHE, R. Umění a veřejný prostor. In Stav věcí - Sochy v ulicích. Brno: Dům umění města Brna, 2011, s. 145–173.
DIDI-HUBERMAN, G. Ninfa moderna (Esej o spadlé draperii). Praha: Fra, 2010.
DIDI-HUBERMAN, G. Před časem. Praha: Barrister & Principal, 2008.
FARVER, J. (ed) Global Conceptualism. NYC: Queens Museum of Art, 1999.
[GUST] Post Ex Sub Dis. Urban Fragmentations and Constructions. Rotterdam: 010 Publishers, 2003.
[GUST] The Urban Condition: Space, Community, and Self in the Contemporary Metropolis. Rotterdam: 010 Publishers, 1999.
HAVRÁNEK, V. (ed), Akce slovo pohyb prostor (kat. výst.). Praha: Galerie hlavního města Prahy 1999.
HAVRÁNEK, V. et al., The Need to Document. Zürich: JRP Ringier, 2005.
KRAUSS, R. Sochařství v rozšíreném poli. In Stav věcí - Sochy v ulicích. Brno: Dům umění města Brna, 2011, s. 66–72.
KRIS, E., KURZ, O. Legenda o umělci. Historický pokus. Praha: Arbor vitae, Vysoká škola uměleckoprůmyslová v Praze, 2008.
KWON, M. Jedno místo za druhým. In Stav věcí - Sochy v ulicích. Brno: Dům umění města Brna, 2011, s. 173–205.
KWON, M. One Place after Another Site-Specific Art and Locational Identity. Cambridge: The MIT Press, 2004.
LANDA de, M. A Thousand Years of Nonlinear History. New York: Zone Books, 2000.
LIPPARD, L. Six Years: The Dematerialization of the Art Object from 1966 to 1972. Berkeley: University of California Press, 1997.
LUCIE-SMITH, E. Movements in Art since 1945. London: Thames & Hudson, 2001.
MARCUS, G. Stopy rtěnky, //tajná historie dvacátého století//. Votobia, 1998.
MITCHEL W. Placing Words, Symbols, Space, and the City. Cambridge: The MIT Press, 2005.
MITCHEL W. Space, Place, and the Infobahn, City of Bits. Cambridge: The MIT Press, 1999.
MORGANOVÁ, P. Akční umění. Olomouc: Votobia, 1999.
NELSON, R., S., SHIFF, R. et al. Kritické pojmy dejín umenia. Bratislava: Slovart, 2004.
PIOTROWSKY, P. In the Shadow of Yalta. Art and the Avant-Garde in Eastern Europe 1945–1989. London: Reaktion Books, 2009.
PIOTROWSKY, P. Prostorový obrat aneb horizontální dějiny umění. In Umění LVI. 2008, č. 5, s. 378–383.
POSPISZYL, T. Srovnávací studie. Praha: Agite/Fra, 2005.
Sešit pro umění, teorii a příbuzné zóny.
VIDLER, A. The Architectural Uncanny, Essays in the Modern Unhomely, The MIT Press, 1992.
VIDLER, A. Warped Space, Art, Architecture, and Anxiety in Modern Culture, The MIT Press, 2002.

Recommended reading

Not applicable.

Classification of course in study plans

  • Programme Master's

    branch AEN , 2 year of study, summer semester, compulsory

Type of course unit

 

Seminar

260 hod., compulsory

Teacher / Lecturer

doc. MgA. Barbora Klímová, ArtD.

Syllabus

Výuka probíhá podle pokynů vedoucího ateliéru a v souladu s individuálními tvůrčími kvalitami studentů.