Course detail

Studio I - Environment - summer

FaVU-B1EN-LAcad. year: 2016/2017

The course focuses on individual students’ artworks and their relation to the environment, society, politics, and culture. It encourages students to develop their own authorial positions in response to the contextual project tasks. It helps them to choose and apply adequate media of their expressions. It teaches them to critically discuss their work in a broader context. It introduces them the theory of site-specific art. It mediates them a wide range of events in contemporary art and culture in the Czech Republic and abroad.

Language of instruction

Czech

Number of ECTS credits

15

Mode of study

Not applicable.

Learning outcomes of the course unit

In the summer semester of the first year of the bachelor's degree, students will learn to develop and critically evaluate their own artistic work. They are able to freely choose and apply media of their own work. They will gain experience of cooperation on the exhibition project. They are aware of the theory of Site-specific art. They are familiar with the contemporary cultural events.

Prerequisites

Theoretic and practical experience from the first completed semester of studies.

Co-requisites

Not applicable.

Planned learning activities and teaching methods

Presentations, lectures, tutorials, discussions, field trips, study of literature

Assesment methods and criteria linked to learning outcomes

To obtain credits, it is required to submit a completed artistic project, participate in a joint exhibition, and edit portfolio of own artistic practice.

Course curriculum

1. An assigment concerning Brno
2. A joint exhibition project
3. A semester exam project
The studio work is continuously complemented with tutorials within the department or with external experts, with lectures, and field trips to exhibitions, and institutions in relation to the discussed problems. Study of literature and texts related to site-specific art is also an integral part of the program.

Work placements

Not applicable.

Aims

Deepening the ability to respond to the project tasks; they will practice to articulate in a range of different media; they will learn to select and apply appropriate media of self-expression; they will learn to verbally evaluate their own art work, formulate opinions; have a sense of orientation in contemporary cultural events in relation to art history as well as to non-artistic areas of interest.

Specification of controlled education, way of implementation and compensation for absences

Submission of assigned projects, attendance, communicating about the overview of cultural events

Recommended optional programme components

Not applicable.

Prerequisites and corequisites

Basic literature

DEUTCHE, R. Umění a veřejný prostor. In Stav věcí - Sochy v ulicích. Brno: Dům umění města Brna, 2011, s. 145–173.
FARVER, J. (ed) Global Conceptualism. NYC: Queens Museum of Art, 1999.
HAVRÁNEK, V. et al., The Need to Document. Zürich: JRP Ringier, 2005.
KRAUSS, R. Sochařství v rozšíreném poli. In Stav věcí - Sochy v ulicích. Brno: Dům umění města Brna, 2011, s. 66–72.
KWON, M. Jedno místo za druhým. In Stav věcí - Sochy v ulicích. Brno: Dům umění města Brna, 2011, s. 173–205.
KWON, M. One Place after Another Site-Specific Art and Locational Identity. Cambridge: The MIT Press, 2004.
MARCUS, G. Stopy rtěnky, //tajná historie dvacátého století//. Votobia, 1998.
MORGANOVÁ, P. Akční umění. Olomouc: Votobia, 1999.
POSPISZYL, T. Srovnávací studie. Praha: Agite/Fra, 2005.
Sešit pro umění, teorii a příbuzné zóny.

Recommended reading

[GUST] The Urban Condition: Space, Community, and Self in the Contemporary Metropolis. Rotterdam: 010 Publishers, 1999.
ARMLEDER, J. et al., Voids A Retrospective. Paris: Centre Pompidou, 2009.
BALDRÁN, Z., HAVRÁNEK, V. (ed) Atlas Transformace. Praha: Tranzit, 2009.
BENJAMIN, W. Dílo a jeho zdroj. Praha: Odeon, 1979.
BEY, H. Dočasná autonomní zóna. Praha: Tranzit, 2004.
BISHOP, C. Artificial Hells, Participatory Art and the Politics of Spectarorship. London : Verso, 2012.
BISHOP, C. (ed) Participation. London: Whitechapel and MIT Press, 2006.
BOURRIAUD, N. Postprodukce. Praha: Tranzit, 2004.
BRADLEY, W., ESCHE, C. (ed) Art and Social Change. London: Tate Publishing, 2008.
CÍSAŘ, K. (ed.), Co je to fotografie? Praha: Herrmann & synové, 2004.
DIDI-HUBERMAN, G. Ninfa moderna (Esej o spadlé draperii). Praha: Fra, 2010.
DIDI-HUBERMAN, G. Před časem. Praha: Barrister & Principal, 2008.
[GUST] Post Ex Sub Dis. Urban Fragmentations and Constructions. Rotterdam: 010 Publishers, 2003.
HAVRÁNEK, V. (ed), Akce slovo pohyb prostor (kat. výst.). Praha: Galerie hlavního města Prahy 1999.
KRIS, E., KURZ, O. Legenda o umělci. Historický pokus. Praha: Arbor vitae, Vysoká škola uměleckoprůmyslová v Praze, 2008.
LANDA de, M. A Thousand Years of Nonlinear History. New York: Zone Books, 2000.
LIPPARD, L. Six Years: The Dematerialization of the Art Object from 1966 to 1972. Berkeley: University of California Press, 1997.
LUCIE-SMITH, E. Movements in Art since 1945. London: Thames & Hudson, 2001.
MITCHEL W. Placing Words, Symbols, Space, and the City. Cambridge: The MIT Press, 2005.
MITCHEL W. Space, Place, and the Infobahn, City of Bits. Cambridge: The MIT Press, 1999.
NELSON, R., S., SHIFF, R. et al. Kritické pojmy dejín umenia. Bratislava: Slovart, 2004.
PIOTROWSKY, P. In the Shadow of Yalta. Art and the Avant-Garde in Eastern Europe 1945–1989. London: Reaktion Books, 2009.
PIOTROWSKY, P. Prostorový obrat aneb horizontální dějiny umění. In Umění LVI. 2008, č. 5, s. 378–383.
VIDLER, A. The Architectural Uncanny, Essays in the Modern Unhomely, The MIT Press, 1992.
VIDLER, A. Warped Space, Art, Architecture, and Anxiety in Modern Culture, The MIT Press, 2002.

Classification of course in study plans

  • Programme Bachelor's

    branch AEN , 1 year of study, summer semester, compulsory

Type of course unit

 

Lecture

39 hod., optionally

Teacher / Lecturer

Syllabus

Přednášku vede vedoucí ateliéru podle potřeb aktuální výuky.

Seminar

156 hod., compulsory

Teacher / Lecturer

Syllabus

Výuka probíhá podle pokynů vedoucího ateliéru a v souladu s individuálními tvůrčími kvalitami studentů.