Czech

Not applicable.

The course theoretically and historically supplements the studies of action art in the area of media and interactive creation.

Without.

Not applicable.

Teaching methods depend on the type of course unit as specified in the article 7 of BUT Rules for Studies and Examinations..

Course-unit credit.
The prerequisite for the credit is the accomplishment of assigned tasks in the form of a paper.

The image of movement - "composition in time"

5th block: OBJECT IN MOTION (machine/robot) - MECHANIC RHYTHM

1/ physical space-time - object - code (KNOWBOTIC Research/SURVIVAL Research)
2/ movement and meaning - sign and symbol, translation and animation (Garry HILL/Bill VIOLA)
3/ the image of speech: visualisation - visual poetry (Bruce NAUMAN/Joan JONAS)
4/ the speech of music - sonic values and articulation, manipulation and multiplication - sound art (DUMB TYPE)
5/ speaking machines, artificial languages (midi), mathematic linguistics and language games, artificial intelligence and memory (VASULKA)
6/ "in-formation, per-formance, trans-formation" (VAN GOGH TV)

Not applicable.

To develop the abilities to combine and incorporate theoretic knowledge in the area of action art for the sake of reflection of a complex artwork. This is achieved through the cognition of interactive forms of presentation, through the cognition of media strategies of creative entry into reality.

Lessons are obligatory.

Not applicable.

Not applicable.

COLLINS, Bradford R. Pop art: the independent group to Neo pop, 1952-90. New York: Phaidon (CS)
FUSCO, Coco. Corpus delecti: performance art of the Americas. New York: Routledge (CS)
GOLDBERG, RoseLee. a Laurie ANDERSON. Laurie Anderson. New York: Harry N. Abrams (CS)
HOPKINS, David. After modern art: 1945-2000. New York: Oxford University Press (CS)
KIRBY, Michael. Happenings : an Illustrated Anthology, New York: Jim Dine, Dutton (CS)

Not applicable.