Course detail

Fundamentals of Sound System Design

FEKT-MPC-SD1Acad. year: 2019/2020

Objectives of sound system design, sound reproduction, PA system, FFT analysis, phase and amplitude frequency response. Interaction of audio signals, linear vs. logarithmic scale, phase addition. Coupling zone, transition zone, combing zone, isolation zone. Ripple and variability of ripple of frequency characteristic, sound pressure levels, spectral content, audio image, localization. Types of crossovers. Beam direction, coverage and beam angle - beamwidth, constant directivity, proportional / progressive directivity. Types of speaker arrays. Line source array, coupled point source array. Volume in terms of sound system design, crest factor, headroom. Localization, Haas effect from perspective of sound system design. Stereo and its perception. Excessive detection of amplified sound. Decision factors of sound system design, requirements for prediction software, source-reflection interaction, spatial acoustics in terms of design of sound systems.

Language of instruction

Czech

Number of ECTS credits

3

Mode of study

Not applicable.

Guarantor

doc. Ing. Jiří Schimmel, Ph.D.

Department

Department of Telecommunications (UTKO)

Learning outcomes of the course unit

On completion of the course, students are able to:
- describe principles of sound waves addition in space,
- describe the electronic and acoustic crossovers generated during sound reinforcement,
- specify parameters of loudspeaker box,
- describe the used types of speaker arrays,
- specify the decision factors of the sound system design,
- describe the acoustics of space in terms of the sound system design.

Prerequisites

Knowledge of basic physical laws and quantities of the sound field, spectra of periodic and non-periodic signals and random variables are required.

Co-requisites

Not applicable.

Planned learning activities and teaching methods

Teaching methods depend on the type of course unit as specified in article 7 of the BUT Rules for Studies and Examinations.
- Lectures provide explanations of the basic principles, subject methodology, examples of problems and their solutions.
- Laboratory exercises support practical mastering of the themes presented in lectures. Active participation of students is required.
Participation in lectures is recommended. Participation in other ways of instruction is checked.
Course is taking advantage of e-learning (Moodle) system.

Assesment methods and criteria linked to learning outcomes

Evaluation of study results follow the BUT Rules for Studies and Examinations and Dean's Regulation complementing the BUT Rules for Studies and Examinations. Up to 20 points are awarded for the tests in theoretical knowledge in the laboratory exercises. Up to 20 points can be obtained for correct results and elaboration of all laboratory exercises. The minimal scope of the elaboration of a particular laboratory exercise and the complementary questions are specified by a regulation issued by the guarantor of the course and updated for every academic year. Up to 60 points are given for the final written examination, and it is necessary to get at least 20 points for its successful completion.

Course curriculum

1. Sound system design objectives, reference signal, sound reproduction, PA system, phase, polarity, phase and amplitude frequency response, addition of sound signals. Coupling zone, transition zone, combing zone, isolation zone. Ripple and variability of ripple of frequency characteristic, sound pressure levels, spectral content, audio image, localization.
2. Crossover types, filter types, spectral electronic dividers, spectral acoustic crossovers.
3. Directivity, coverage and beam angle of the speaker - beamwidth, order of the filter vs. speaker order, constant directivity, proportional / progressive directivity, spatial acoustic dividers, spatial acoustic crossover. FAR, isobar, splay.
4. Types of speaker arrays, point source, line source, concave source. Coupled vs. distributed (uncoupled) sources. Speaker distance. Line source array, coupled point source array.
5. Volume in sound system design, crest factor, headroom. Localization, HRTF, ITD, ILD, Haas effect in terms of sound system design. Stereo and its perception (simulation and practical verification). Perception of tonal changes, spatial changes, echoes. Excessive detection of amplified sound.
6. Decision making factors of the sound system design, requirements for prediction software, source-reflection interaction, spatial acoustics in terms of design of sound systems.

Work placements

Not applicable.

Aims

The aim of the subject is to acquaint students with the field of design of sound systems, the basics of sound physics in terms of system design, the way of mutual interaction of sound waves, the description of basic properties of building blocks of sound systems and the way of their use, and introduction to real-time sound design.

Specification of controlled education, way of implementation and compensation for absences

It is obligatory to undergo all laboratory exercises in regular or alternative terms to complete the course. Other forms of checked instruction are specified by a regulation issued by the guarantor of the course and updated for every academic year.

Recommended optional programme components

Not applicable.

Prerequisites and corequisites

Not applicable.

Basic literature

EVEREST, F. Alton. Master handbook of acoustics. 4. vyd. McGraw-Hill/TAB Electronics. 615 stran. 2001. ISBN 978-0071603324 (EN)
RAICHEL, Daniel R., Science and application of acoustic, second edition. Springer Science+Business Media, Inc. 647 stran. 2006. ISBN: 978-0387-26062-4 (EN)

Recommended reading

Not applicable.

Elearning

eLearning: currently opened course

Classification of course in study plans

  • Programme MPC-AUD Master's

    specialization AUDM-ZVUK , 2 year of study, winter semester, compulsory-optional
    specialization AUDM-TECH , 2 year of study, winter semester, compulsory-optional

  • Programme EEKR-CZV lifelong learning

    branch EE-FLE , 1 year of study, winter semester, compulsory-optional

Type of course unit

 

Lecture

12 hod., optionally

Teacher / Lecturer

MUDr. Filip Otevřel, Ph.D.

Syllabus

1. Cíle návrhu zvukových systémů - sound system design (SSD), referenční signál, reprodukce zvuku, PA systém, fáze, polarita, fázová frekvenční charakteristika, modulová frekvenční charakteristika, sčítání zvukových signálů. Součtová zóna, přechodová zóna, kombinační zóna, izolační zóna. Zvlnění a proměnlivost zvlnění frekvenční charakteristiky, úrovně akustického tlaku, spektrálního obsahu, zvukového obrazu, lokalizace.
2. Typy výhybek, typy filtrů, spektrální elektronické oddělovače, spektrální akustické výhybky.
3. Směrovost, pokrytí a vyzařovací úhel reproduktorového boxu - šířka zvukového paprsku, řád filtru vs. řád reproduktoru, konstantní a proporcionální směrovost, prostorový akustický oddělovač, prostorová akustická výhybka.
4. Typy reproduktorových polí, bodový zdroj, liniový zdroj, konkávní zdroj. Spojené vs. distribuované zdroje. Rozteč reproboxů. liniový zdroj, pole spojených bodových zdrojů.
5. Hlasitost z hlediska návrhu zvukových systémů, činitel výkyvu, dynamická rezerva. Lokalizace, přenosová funkce vztažená k hlavě, interaurální časové a intenzitní rozdíly, Haasův efekt z hlediska návrhu zvukových systémů. Stereofonní reprodukce a její vnímání (simulace a praktické ověření). Vnímání tonální změny, prostorové změny, ozvěny. Nadměrná detekce zesíleného zvuku.
6. Rozhodovací faktory návrhu zvukového systému, požadavky na predikční software, interakce zdroj-odraz, prostorová akustika z hlediska návrhu zvukových systémů.

Laboratory exercise

14 hod., optionally

Teacher / Lecturer

Ing. David Kurc

Syllabus

1. Seznámení se softwarem MAPP XT, ergonomie ovládání, základní nastavení a funkce simulačního prostředí.
2. Seznámení se softwarem SMAART, ergonomie ovládání, základní nastavení a funkce, RTA analýza, impulsní odezva, přenosová funkce, FFT. Spektrální crossovery.
3. Směrovost reproduktoru, constant Q, proportional/progressive Q. Prostorové crossovery.
4. Prostorové crossovery, fázové sčítání zvukových signálů (simulace X měření), simulace line source array, simulace point source array, simulace point destination array.
5. Vertikální a horizontální lokalizace, stereo efekt, vnímání tonální změny, prostorové změny nebo echa - frekvenční závislost, vnímání vzdálenosti od zdroje.
6. Simulace interakce zdroj-odraz, simulace odrazů pravoúhlého uzavřeného prostoru, návrh ozvučení pro reálný prostor s využitím point-source systémů.

Elearning

eLearning: currently opened course