Czech

Not applicable.

Extending knowledge in the field of photography in contemporary art. Developed critical thinking. Confronted with common artistic expressions.

Interest in spiritual approach to photography. Conceptual thinking. Creative maturity and greater experience with the medium of photography in contemporary art. The high technical level is indisputable.

Not applicable.

Individual consultations, brainstorming sessions, cooperative-learning techniques. Reading and alalyzing of texts.

A credit is awarded on the basis of attendance (80%), active participation on studio activities, and continuous work on individual and group projects. It is necessary to follow the given deadlines. Exam has a form of defending the results of the creative activity during the semester. examination.

Semestrial work - “Photographic book”
Students must create publication that will reflect the mature approach to photography.
The greatest emphasis is put on the students' ability to understand and analyze situation of contemporary art.
Mandatory studio meetings, individual consultations and discussions about students' major work. The studio visits by authorities from the art word.

Not applicable.

The ability to reflect one's own practice as an artist and orientation in the contemporary art scene.

Obligatory attendance at the studio meetings (80%). Replacement of missed lessons is done through individual consultations beyond the scope of the scheduled lessons.

Not applicable.

Not applicable.

Bourdieu, Pierre, Photography: A Middle-brow Art, trans. Shaun Whiteside Cambridge: Polity Press, paperback ed., 1996 (EN)
Bourriaud, Nicolas: Postprodukce, tranzit.cz, 2004 (CS)
Fontcuberta, Joan ed.: Photography. Crisis of history, Actar, Barcelona, 2002 (EN)
Fontcuberta, Joan: Pandora's Camera. Mack, London, 2014 (EN)
Fried, Michael: Why Photography Matters as Art as Never Before, Yale University Press, New Haven and London, 2008 (EN)
Groys, Boris: Art Power. Cambridge: MIT Press, 2008 (EN)
Groys, Boris: On the New. London and New York: Verso, 2014 (EN)
Paul Wood & Charles Harrison ed.: Art in Theory 1900 - 2000: An Anthology of Changing Ideas, United Kingdom, 2003 (EN)

Not applicable.