Czech

Not applicable.

Greater knowledge in the field of photography and in contemporary art. Critical thinking.
Artistic research.

Open communication. Creativity and greater experience with the medium of photography in the context of contemporary art. Conceptual thinking. Ability to realize the personal MA program.

Not applicable.

Výuka na základě potřeb studentů a sebevyjádření. Presentations, lectures, individual consultations and discussions, reading. Team building activities.

A credit is awarded on the basis of attendance (80%), active participation on studio activities, and continuous work on individual and group projects. It is necessary to follow the given deadlines. Exam has a form of defending the results of the creative activity during the semester. examination.

Students will develop the ability to reflect on their own work in a broader context. Apart from the mandatory studio meetings, consultations, analysis of students' major projects and semestrial work (archive and appropriation), students should try the work as a curator and explore opportunities to present their art works. Students must find the consultants for the master thesis.
Topic of semestrial work might change during the process.

Not applicable.

Analysis, presentation and contextualization of students' own work or found material.

Obligatory attendance at the studio meetings (80%). Replacement of missed lessons is done through individual consultations beyond the scope of the scheduled lessons.

Not applicable.

Not applicable.

Bourdieu, Pierre, Photography: A Middle-brow Art, trans. Shaun Whiteside Cambridge: Polity Press, paperback ed., 1996 (EN)
Bourriaud, Nicolas: Postprodukce, tranzit.cz, 2004 (CS)
Císař Karel: Co je to fotografie? Herrmann & synové, Praha, 2004 (CS)
Cotton, Charlotte: The Photograph as Contemporary Art, Thames & Hudson, New York, 2004 (EN)
Fontcuberta, Joan ed.: Photography. Crisis of history, Actar, Barcelona, 2002 (EN)
Fontcuberta, Joan: Pandora's Camera. Mack, London, 2014 (EN)
Fried, Michael: Why Photography Matters as Art as Never Before, Yale University Press, New Haven and London, 2008 (EN)
Frizot, Michael: New History of Photography. Kolín nad Rýnem: Könemann, 1998 (EN)
Groys, Boris: Art Power. Cambridge: MIT Press, 2008 (EN)
Groys, Boris: On the New. London and New York: Verso, 2014 (EN)
Laruelle, François: Koncept ne-fotografie, Fotograf 07, 2012 (CS)
Paul Wood & Charles Harrison ed.: Art in Theory 1900 - 2000: An Anthology of Changing Ideas, United Kingdom, 2003 (EN)
Philips, Lisa: The American Century: Art & Culture 1950 – 2000, New York, 2000 (EN)
Rosenblum, Naomi: A World History of Photography, New York, 1989 (EN)
Warner Marien, Mary: Photography: A Cultural History, Laurence King Publishing, London, 2002 (EN)

Not applicable.