Czech

Not applicable.

Students will have a basic overview of artistic institutions, key figures and their work; they will be able to attribute key artistic works and they will be able to characterize artistic programs and groups of European and North-American modernism between 1900 to 1930.

Basic knowledge of general history and cultural history.

Not applicable.

Lectures accompanied with slides of reproductions of the key works are supported with class discussions, on-line lectures via MS Teams.

Test.

1. Fathers of Modern Thinking: Darwin, Nietsche, Marx, Freud and the visual arts
2. Secession: Revolting artistic groups and modernism at academis: Vienna, Berlin, Munich
4. Artist, production, buyer: Arts and Crafts, Wiener Werkstätte, Deutscher Werkbund
5. Manifestos of expressionism: Die Brücke, Der Blaue Reiter, theosofy and visual arts
6. Cubism: Picasso, Braque, Gleizes, Gris, Léger; cubist scuplture (Lipschitz, Zadkinw, Brancusi), architecture and design
7. Roots of abstraction: Kandinski, Delauny, Duchamp, Kupka
8. World Fairs I.: 1904 St. Louis, 1905 Liége, 1913 Ghent, 1915 Panama-Pacific
9. American Dream: Modernism (O’Keeffe, Hartley) vs. realism (Wood, Hopper), Harlem Renaissance, Federal Art Project
10. Italian futurism: Marinetti, Boccioni, Balla, Marey
11. Bauhaus in Wiemar: Gropius, Klee, Desbourg, Kandinski
12. Avant-garde and ideology I.: Malevic, Kandinski, Lissitsky, Tatlin, socialist classicism

Not applicable.

The aim of the course is to present major figures, artistic works, artistic groups, programs and institutions of European and North-American art between 1900 to 1930, to present contemporary way of thinking and characterize contemporary texts and manifestos.

Attendance compulsory, 50% attandence is tolerated.

Not applicable.

Not applicable.

Clark, T. J., Farewell to an Idea. Episodes from a History of Modernism. New Haven a London 1999 (CS)
Fiedler, J.; Ackermann, U., Bauhaus, Kolín n. Rýnem 2006 (CS)
Foster, H.; Krauss R.; Bois, Y.-A.; Buchloh B. H. D., Umění po roce 1900, Praha 2007 (CS)
Gobrich, E., Příběh umění, Praha, 1992. (CS)
Haas, F., Architektura 20. století. Praha 1978 (CS)
Halada, J.; Hlavačka, M., Světové výstavy : od Londýna 1851 po Hannover 2000, Praha 2000 (CS)
Harrison, Ch.; Wood, P. (eds.), Art in theory, 1900-2000: An anthology of changing ideas. Malden 2003 (CS)
Krauss,R., The Originality of the Avant-Garde and Other Modernist Myths. Cambridge, Mass. 1985 (CS)
Lamač, M., Myšlenky moderních malířů. Praha 1989 (CS)
Schapiro, M., Modern Art. 19th&20th Centuries. New York 1968 (CS)
Wittlich, P., Umění nové doby: Doba secese, Praha 1987 (CS)

Not applicable.