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Course detail
FaVU-1INSTAcad. year: 2023/2024
The course takes place in the form of collective discussion and individual consultations over the author's work. Its aim is to develop the ability of improvisation and creative thinking. The main principles of the interactive storytelling are often used in videogames, gallery installation, music composition, contemporary dance, physical theatre or clownship. The aim is to transform these principles in order that they could be used in the field of students‘ interests, in the process of ideas formation, or in common social space, to be involved into its dynamics, without necessary emphasis on the obvious physical activity. The base of this transformation lies in individual and collective dispositions of students.
The term interactive storytelling is more often used in the gaming environment of so called „open world“, but also, for example, in the immersive theatre. It is a narration of a story in which the actor influences the plot, as well as the environment itself through his acting, and vice versa - the environment influences the actor himself. When forming a construction of such an interactive story, it is necessary to identify as much potential interactions as possible in the network of participants, i.e. to realise and to recognize the environment elements and their choreography.
Language of instruction
Number of ECTS credits
Mode of study
Guarantor
Department
Entry knowledge
Rules for evaluation and completion of the course
Aims
The course takes place in the form of collective discussion and individual consultations over the author's work. Its aim is to develop the ability of improvisation and creative thinking. The main principles of the interactive storytelling are often used in videogames, gallery installation, music composition, contemporary dance, physical theatre, or clownship. The aim is to transform these principles in order that they could be used in the field of students‘ interests, in the process of ideas formation, or in common social space, to be involved into its dynamics, without necessary emphasis on the obvious physical activity. The base of this transformation lies in individual and collective dispositions of students. Another aim of the course is to enable access to author's work ideological conditions distinguishing, and influence of the space. Students can use this kind of experience in forming of specific tools and methods in their own artistic output.
Study aids
Prerequisites and corequisites
Basic literature
Recommended literature
Lecture
Teacher / Lecturer
Syllabus
Guided consultation
Creative seminar