Czech

Not applicable.

Ability to carry out individual master program. Ability to utilize materiality and object in the context of drawing and graphics. Ability to articulate own themes relevant to both the discourse of contemporary art along with drawing and graphics traditions. Advanced knowledge of graphic techniques. Advanced level of orientation in contemporary art.

In order to receive credit for the class, given conditions must be met:

-presence and participation in all mandatory regular consultations of semester projects (once a week)
-active participation in regular atelier projects and their consequent presentation (twice per semester)
-ability to reflect/accept recommendations resulting from consultations of semester projects
-fulfilling given tasks
-participation in atelier workshops and collaborative projects
-participation in the plenary
-evident interest in contemporary art

Presence is confirmed by signing the attendance list. One unexcused absence is allowed per semester.

Atelier exam is evaluated by a commission.


Mandatory regular consultation of semester project (weekly), active participation and presentation of created studio works at regular studio examinations (twice per semester), participating on studio workshops and collaborative studio projects, evident interest in the contemporary art. Ongoing progress on creating master degree's final project.
Attendance list. Proven continuous work on the school premises.
A single absence at studio consultations is allowed.

This intermedially focused course teaches students to conceptually grasp classic drawing and printmedia in response to current socio-political events and to advanced orientation in contemporary art. Through long-term creative artistic research the student adequately develops, verifies and critically thematize precisely defined topics linked to the focus of the studio. Its aim is to continue with work on practical diploma, examination its risks, critical reflection of problems occurring after first phase of diploma topic articulation.
Completed theoretical preparation for the master program's final project. Advanced knowledge of graphic techniques and ability to use them for expressing individual authorship in the contemporary art environment. Professional knowledge of contemporary art, flexible usage of media, ability to exhibit own art independently and the ability to utilize materiality and object in the context of drawing and graphics. Ability to articulate own individual themes relevant for the discourse about contemporary art as well as for the tradition of drawing and graphics.

Not applicable.

Gaston Bachelard, Poetika prostoru (CS)
Miroslav Petříček, Myšlení obrazem / průvodce současným filosofickým myšlením pro středně nepokročilé (CS)
Nelson Goodman, Jazyky umění / nástin teorie symbolů (CS)
Vladimír Kokolia, Slovník Grafiky 2, 2008 (CS)

Abraham Adams, Lou Cantor (eds.). Intersubjectivity Vol. I. Language and Misunderstanding (EN)
Antony Hudek (ed.), The Object (EN)
Časopis X
Emma Dexter, Vitamin D: New Perspectives in Drawing (EN)
Tomáš Pospiszyl, Asociativní dějepis umění (CS)