Czech

Not applicable.

None.

The semester is completed by a colloquium during which students show the extent of the body of knowledge they have acquired.
Students obtain the non-letter grade upon actively participating in the semiars and fulfilling the assignments.

The course aims at intertextualizing and deepening theoretical knowledge from a broad spectrum of disciplines ranging from traditional art history, contemporary art theory, new media and visual culture theory, currently formed interdisciplinary field of curatorial studies and a wide spectrum of related humanities which inform postcontemporary artistic practices.
Students will get a overview of theories relevant for the formation of modern and conterporary art, especially theories which were formed in direct relation to the needs of the evaluation and interpretation of art which gradually departed not only from the classical canon, but also from the idea of the specific medium or artifact as the locus of theory.

Not applicable.

Not applicable.

Erwin PANOFSKI, Význam ve výtvarném umění. Praha: Malvern – Academia, 2013. (CS)
Helena BENDOVÁ – Matěj STRNAD (eds.), Společenské vědy a audiovize. Praha: AMU, 2014. (CS)
Jacques AUMONT, Obraz (2. vydání). Praha: AMU, 2010. (CS)
Konrád Paul LIESMANN, Teorie nevzdělanosti. Praha: Academia, 2009. (CS)
Michel FOUCAULT, Archeologie vědění (2. vydání). Praha: Hermann a synové, 2016. (CS)
Nelson GOODMAN, Jazyky umění. Praha: Academia, 2007. (CS)
Peter BURKE, Společnost a vědění II. Od Encyklopedie k Wikipedii. Praha: Univerzita Karlova – Karolinum, 2014. (CS)
Stuart HALL, Representation. Cultural Representations and Signifying Practices. London – New Dehli: Thousand Oaks – Sage, 2000. (EN)
Umberto ECO, Meze interpretace. Praha: Univerzita Karlova – Karolinum, 2004 (CS)
Wolfgang ISER, Jak se dělá teorie. Praha: Univerzita Karlova: Karolinum, 2009. (CS)

Not applicable.