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Course detail
FaVU-DKFII-LAcad. year: 2024/2025
The course consists of lectures on history and contemporary tendencies in photography (with considering its position within both fine arts and non-artistic visuality). Students will be introduced to the development of the medium not in chronological retrospect but in thematic blocs. This way they will be able to understand particular problems within broader philosophical and medial context. Students will learn how to “read” language of photography, to understand its expressive potential and they will learn the main theoretical frameworks within which photography is interpreted.
Language of instruction
Number of ECTS credits
Mode of study
Guarantor
Department
Entry knowledge
Basic knowledge of the 19th and 20th century visual culture. Completion of the course History and Contexts of Photography 1.
Rules for evaluation and completion of the course
The following conditions are set for the award of the examination:
- active participation in the class (75 % participation) or replacing it by writing an essay
- written test (min. 50 % success rate).
Teaching takes place in the classrooms of the FFA BUT in the hours determined by the schedule. Attendance is compulsory (3 unexcused absences allowed). Higher number of absences can be compensated by submitting an alternative assignment after agreement with the teacher.
Aims
The aim of this course is to reflect on the actual position of photography in a context of its historical developments. Introduction of new media and social thematics into photography will be of particular interest, as well as a crossing of borders of traditional genre of photography. Photography will be introduced not only as artistic medium but more broadly defined tool for visual communication as well (as in family, science, commercial etc. photography).
Students will gain an insight into both development of photography and its contemporaneous trends. They will be able enrich insight into their own photographic practice, they will learn more about the language of photography and the basics of its gallery presentation.
Study aids
Prerequisites and corequisites
Basic literature
Recommended reading
Classification of course in study plans
Lecture
Teacher / Lecturer
Syllabus
1. Limits of the Act
2. History of the Male Gaze
3. The Female Voice in Art
4. The Origins of Documentary
5. The Human Family
6. The Americans
7. Documentary after Documentary
8. Between Documentary and Reportage
9. Out of the Game
10. The New Spirituality
11. Spaces of Art
12. How to Exhibit Photography
13. Visiting a Photography Exhibition / Analytical Seminar
Seminar