English

Not applicable.

Of all faculties

No prerequisities.

Students will be assigned to present a paper (15 minutes) on a chosen topic at the end of the semester and they will submit its written version (5 norm pages at least).
In case of distant teaching, the lectures are going to be held on-line via MS Teams and the students present their papers on-line (without submitting it in writing).

Přednášky probíhají v učebnách FaVU VUT v hodinách určených rozvrhem. Povinná přítomnost není vyžadována.

The aim of the course is to present and discuss the methodological perspectives of ethnic and cultural minority art and the creation of the canon of modern / contemporary art / architecture, while introducing key figures, movements, places, exhibitions and texts that represented the emancipation of ethnic and cultural minorities in visual art / design.
Students will have a basic overview of the history of art, design and exhibiting of ethnic and cultural minorities in the Western world, and at the same time they should acquire the ability to view themes and problems of art and design from an inter-racial and inter-cultural, non-privileged perspective.

Not applicable.

Not applicable.

Not applicable.

Adrienne Brown, The Black Skyscraper: Architecture and the Perception of Race, Baltimore, MA, 2019 (EN)
Bridget Cooks, Exhibiting Blackness: African Americans and the American Art Museum, Cambridge, MA, 2011 (EN)
Cary D. Wintz – Paul Finkelman (eds.), Encyclopedia of the Harlem Renaissance, Vol. 1 (A-J), Vol. 2 (K-Z), New York 2004 (EN)
Dreck Spurlock Wilson (ed.), African American Architects: A Biographical Dictionary, 1865–1945, New York; London, 2004 (EN)
Elliott M. Rudwick – August Meier, Black Man in the "White City": Negroes and the Columbian Exposition, 1893, Phylon, vol. 26, No. 4, 1965, s. 354–361 (EN)
Gannit Ankori (ed.), Frida Kahlo and San Francisco, München 2021 (EN)
Heather Hathaway – Josef Jarab – Jeffrey Melnick (eds.), Race and the Modern Artist, Oxford 2003 (EN)
Irene Cheng – Charles L Davis II – Mabel O Wilson (eds.), Race and Modern Architecture: A Critical History from the Enlightenment to the Present (Culture Politics & the Built Environment), Pittsburg, 2020 (EN)
Jacqueline Francis, Making Race: Modernism and “Racial Art” in America, Seattle, 2015 (EN)
Janet Catherine Berlo – Ruth B. Phillips (eds.), Native North American Art, Oxford 1998 (EN)
Julie Ault (Editor), Felix Gonzalez-Torres, Göttingen 2016 (EN)
Kara Kelley Hallmark, Encyclopedia of Asian American Artists (Artists of the American Mosaic), Westwood, CT, 2007 (EN)
Karen E. Hudson, The Will and the Way: Paul R. Williams, Architect, New York 1998 (EN)
Laura Kina – Jan Christian Bernabe (eds.), Queering Contemporary Asian American Art, Seattle 2017 (EN)
Marc Appleton – Stephen Gee, Paul R. Williams, Los Angeles 2021 (EN)
Margo Machida, Unsettled Visions: Contemporary Asian American Artists and the Social Imaginary, Durham, NC, 2009 (EN)
Mark Godfrey – Zoé Whitley (eds.), Soul of a Nation: Art in the Age of Black Power, New York 2017 (EN)
Paul A Wellington, Black Built: History and Architecture in the Black Community, Paul Wellington 2019 (EN)