Sociological, philosophically-aesthetical and poetical basics of artistic intermedia. Intermedial and multimedial character of contemporary art as a consequence of natural integration of disciplines; media and technologies in the process of meaningful articulation of singular phenomena of pluralist world. Synchronous multi-perspective, polyphrenia and interaction as the means of reflection. Boundary artistic genres, troublousness and relativization of genre taxonomies in contemporary art, mutual relations between art, science and technology.